In the history of Russian literature, K.D. Balmont left his mark as a representative of “older” symbolism. He greatly enriched Russian versification, introduced new intonations and sound effects. Love, direct perception of nature, the ability to sense the “moment” of life - all this allows us to say that K.D. Balmont was a romantic poet, an artist of the neo-romantic movement in art of the 19th - early 20th centuries. K.D. Balmont's poems are distinguished by egocentrism, enthusiasm for oneself, confidence in one's sunshine, and uniqueness.
Balmont wrote his poems this way: they could come suddenly, following a fleeting impression, a short vision; just one push of consciousness is enough - and an image is born.
In the poem “Wind” by K.D. Balmont uses his favorite technique - the transfer of sensations: the word shows elusive, instant impressions. The poet, as it were, snatches a moment from eternity and captures it in a word: “a hint of a string,” “a seaside wave,” “I disturb the foliage with a kiss,” etc. Fleetingness is elevated by the poet to a philosophical principle. This ability makes K.D. Balmont similar to the Impressionists.
This poem contains the main and favorite image of the poet - the image of the Wind - a symbol of eternal movement, insatiable anxiety (“I love restless dreams...”, “in unexpected delight,” “I live in insatiable anxiety”).
The composition of the poem “Wind” consists of four quatrains, the poetic lines are rhymed with a cross rhyme, the poetic meter is iambic:
I can't live in the present
I love restless dreams
Under the scorching sunshine
And under the moist twinkle of the moon.
Symbolism K.D. Balmont is expressed in bright tropes: “scorching shine, “wet flicker of a seaside wave,” “in unexpected delight.” They are stylistically consistent (“at a foggy dawn”, “with an evening cloud”).
The syntax of the poem “Wind” is peculiar: almost all sentences begin with the pronoun “I,” which emphasizes the self-centered orientation of Balmont’s lyrics. There is also anaphora - repetition of poetic lines: “I can’t live in the present” in the first quatrain and “I don’t want to live in the present” in the second.
The first and last lines of the poem seem to explain and summarize the theme of the story: “I cannot live in the present,” “I live in insatiable anxiety.”
The abundance of verbs in the present tense gives the monologue of the lyrical hero dynamic action, confirms the love of freedom and insatiability of the Wind. In the precarious balance of life and death, K.D. Balmont takes the side of life, movement, “insatiable anxiety,” he likes “restless dreams.”
All linguistic means of the work are subordinated to the expression of the theme and idea of the poem - freedom, movement, frantic rhythm of life, spontaneity of feelings.
The lines of the poem are literally riddled with contrasts (“a scorching shine, “wet flicker,” “noisy trees,” “legends of a seaside wave,” “in a foggy dawn,” “with a thick evening sail”), which expresses the impatience and inconsistency of the Wind.
Thus, the poem “Wind” is an example of symbolist lyrics. K.D. Balmont created a unique image of the Wind and masterfully conveyed its elemental essence.
N.V. GogolRevisorIn a county town, from which “you’ll jump for three years, you won’t get to any state,” the mayor, Anton Antonovich Skvoznik-Dmukhanovsky, gathers officials to announce the most unpleasant news: a letter from an acquaintance informed him that he was going to their city “auditor from St. Petersburg, incognito. And with a secret order." The mayor - all night long he dreamed of two rats of unnatural size - had a presentiment of bad things. The reasons for the arrival of the auditor are sought, and the judge, Ammos Fedorovich Lyapkin-Tyapkin (who has read “five or six books, and therefore is somewhat freethinking”), assumes that Ro
M. M. Prishvin is one of those lucky writers whom you can discover at any age: in childhood, in youth, as a mature person, in old age. And this discovery, if it happens, will truly be a miracle. Of particular interest is the deeply personal, philosophical poem “Phacelia”, the first part of “Forest Drop”. There are many secrets in life. And the biggest secret, in my opinion, is your own soul. What depths are hidden in it! Where does the mysterious longing for the unattainable come from? How to satisfy it? Why is the possibility of happiness sometimes frightening, frightening, and suffering is almost voluntarily accepted? This writer
Platonov’s youth: family education, labor universities. Andrei Platonovich Platonov (real name Klimentov) was born on August 20 (old style) 1899 in Yamskaya Sloboda on the outskirts of Voronezh. His father is Platon Firsanovich Klimentov, a mechanic at railway workshops, his mother is Marya Vasilievna, the daughter of a watchmaker, the keeper of the house. There were eleven children in the family. The future writer was the eldest son in this huge, “old-proletarian” family, as he said. The eldest son is more quickly deprived of childhood, carefree, he grows up earlier. About his work in the house, about helping his mother in the role of eternal
I once found an unusual pebble on the bank of a stream. At first glance, it was an ordinary pebble. But when I moistened the pebble with water, a fabulous drawing appeared on its surface: a mysterious figure, similar to a mermaid, sitting on the shore of a wonderful sea. The sea is raging, high furious waves are trying to reach the mermaid and carry her into the depths. All this can be seen if you look closely at my original stone. Although, of course, another person may see a different picture in its patterns. Now I carry my pebble with me all the time, like the most expensive talisman.(loadposition textmod)
In the history of Russian literature, K.D. Balmont left his mark as a representative of “older” symbolism. He greatly enriched Russian versification, introduced new intonations and sound effects. Love, direct perception of nature, the ability to sense the “moment” of life - all this allows us to say that K.D. Balmont was a romantic poet, an artist of the neo-romantic movement in art of the 19th - early 20th centuries. K.D. Balmont's poems are distinguished by egocentrism, enthusiasm for oneself, confidence in one's sunshine, and uniqueness.
Balmont wrote his poems this way: they could come suddenly, following a fleeting impression, a short vision; just one push of consciousness is enough - and an image is born.
In the poem “Wind” by K.D. Balmont uses his favorite technique - the transfer of sensations: the word shows elusive, instant impressions. The poet, as it were, snatches a moment from eternity and captures it in a word: “a hint of a string,” “a seaside wave,” “I disturb the foliage with a kiss,” etc. Fleetingness is elevated by the poet to a philosophical principle. This ability makes K.D. Balmont similar to the Impressionists.
This poem contains the main and favorite image of the poet - the image of the Wind - a symbol of eternal movement, insatiable anxiety (“I love restless dreams...”, “in unexpected delight,” “I live in insatiable anxiety”).
The composition of the poem “Wind” consists of four quatrains, the poetic lines are rhymed with a cross rhyme, the poetic meter is iambic:
I can't live in the present
I love restless dreams
Under the scorching sunshine
And under the moist twinkle of the moon.
Symbolism K.D. Balmont is expressed in bright tropes: “scorching shine, “wet flicker of a seaside wave,” “in unexpected delight.” They are stylistically consistent (“at a foggy dawn”, “with an evening cloud”).
The syntax of the poem “Wind” is peculiar: almost all sentences begin with the pronoun “I,” which emphasizes the self-centered orientation of Balmont’s lyrics. There is also anaphora - repetition of poetic lines: “I can’t live in the present” in the first quatrain and “I don’t want to live in the present” in the second.
The first and last lines of the poem seem to explain and summarize the theme of the story: “I cannot live in the present,” “I live in insatiable anxiety.”
The abundance of verbs in the present tense gives the monologue of the lyrical hero dynamic action, confirms the love of freedom and insatiability of the Wind. In the precarious balance of life and death, K.D. Balmont takes the side of life, movement, “insatiable anxiety,” he likes “restless dreams.”
All linguistic means of the work are subordinated to the expression of the theme and idea of the poem - freedom, movement, frantic rhythm of life, spontaneity of feelings.
The lines of the poem are literally riddled with contrasts (“a scorching shine, “wet flicker,” “noisy trees,” “legends of a seaside wave,” “in a foggy dawn,” “with a thick evening sail”), which expresses the impatience and inconsistency of the Wind.
Thus, the poem “Wind” is an example of symbolist lyrics. K.D. Balmont created a unique image of the Wind and masterfully conveyed its elemental essence.
“I am the free wind, I blow forever...” Konstantin Balmont
I am the free wind, I blow forever,
I wave the waves, I caress the willows,
In the branches I sigh, sighing, I grow dumb,
I cherish the grass, I cherish the fields.In spring bright, like the messenger of May,
I kiss the lily of the valley, in love with a dream,
And the silent azure listens to the wind,Unfaithful in love, growing like a cyclone,
I throw up the clouds, I blow up the sea,
I'll rush through the plains with a drawn-out groan -
And thunder will awaken in the silent space.But, again, light, always happy,
More tenderly than a fairy caresses a fairy,
I cling to the trees, breathe over the fields
And, eternally free, I blow into oblivion.
Analysis of Balmont's poem “I am the free wind, I blow forever...”
The poem “I am the free wind, I blow forever...” is included in the “Airy White” cycle of the collection “Silence.” It first appeared in the Southern Review newspaper in 1898 under the title “Free Wind”, and then was included in the book simply as number 7. It should be noted that this entire cycle is filled with light airy paintings and floral aromas. One of these magical images is the image of the wind from this work.
The poem is written in the first person. His hero is a light breeze who tells the reader about his life. K. D. Balmont, masterfully mastering the technique of alliteration, creates living, sounding images. In the words “I blow forever”, “I wave the waves”, “I sigh in the branches”, etc. one can hear the breath of air.
The work consists of four stanzas. Cross rhymes with feminine endings predominate. In the first two stanzas the action increases. The author describes the movement of the wind using words with soft consonants and iotated vowels. Thus, a relaxed, gentle image of the hero is created:
I cherish the grass, I cherish the fields...
I kiss the lily of the valley, in love with a dream...
I am blown away, thrilled, airy, sleepy.
With the help of recognizable images, fresh spring landscapes are drawn in the reader’s imagination. It’s easy to see in your mind’s eye lush green fields, delicate pale lilies of the valley ringing in the breeze, to hear the rustling of grass and thin willow branches in which our hero dances. Everything around is calm and cheerful.
Noteworthy are the metaphors with which, like precious stones, decorate the poem. It is not the banal “heaven” that Konstantin Dmitrievich Balmont uses, but “Mute Azure.” The Messenger of May - this is the elegant name the poet calls the spring bird, with which he compares the singing breeze.
But in the third stanza the wind turns into a dangerous, uncontrollable element. Rough sharp sounds begin to sound more often: “unfaithful”, “explode”, “sea”, “rush”, “lingering”, etc. This is the culmination of the action - a gentle breeze turns into a growling beast, ready to tear everything in its path to pieces.
However, in the next stanza everything calms down and peace sets in again. The storm passes, and the hero becomes playful again:
More tenderly than a fairy caresses a fairy,
I cling to the trees...
Perhaps by light wind K.D. Balmont means himself. Maybe this image symbolizes youth with its outbursts of emotions, interspersed with periods of calm. In any case, this unusually sensual and musical poem perfectly conveys the atmosphere of a spring day.
Konstantin Balmont is a brilliant poet of the Russian “Silver Age”. With symbols, half-hints, the emphasized melody of his verse, and his mastery of sound recording, he won the hearts of poetry lovers at the dawn of the twentieth century.
Such a modernist movement as symbolism required from the artist super-rational sensitivity and the finest mastery of the technique of poetic allusion. It was formed under the influence of various philosophical teachings, from the ancient Platonic to the views created in the twentieth century by such thinkers as Vladimir Solovyov and Friedrich Nietzsche. Symbolists saw the value of poetry in understatement and in concealing meaning. They called upon the symbol as the main means of conveying the secret content they contemplated.
In addition, poetic musicality was used as a significant way of expression - the property of the sound-rhythmic verbal texture of verse. If you analyze Balmont's poem, especially its sound side, you can see that it is sometimes constructed as a stream of verbal consonances and their echoes that can captivate the reader.
An analysis of Balmont’s poem “Wind” cannot begin without specifying the date of its creation. The fact is that the poet created several works with the same name. What is dated 1895 is written from the perspective of the wind itself, a vivid exponent of the forces of nature. The poetry collection of 1903 includes several more creations dedicated to the same flighty hero, although the call that made the symbolist Balmont famous is associated with another representative of the natural elements - the sun.
Balmont, like any other poet, implies highlighting the main theme. This is an escape from the present, symbolizing for the poet something frozen, boring and dull. He offers a kind of escape by merging the restless human soul with the wind. What are the qualities of the “character” of this element? Wind is a symbol of spirit, the living breath of all things on Earth.
Analysis of Balmont's poem helps determine its structure. It is constructed as the speech of the wind itself, personifying a living being, a lyrical hero who talks about himself. Instead of living quietly and calmly, like everyone else, in the “present,” he sees “restless” visions, “listens” to the hints of a mysterious string, the secrets of nature: flowers, the noise of trees and “legends of the wave.” The hero develops a feeling of the fleeting nature of the “present.” He does not want to live in it, striving for a future that seems more attractive to him and not so short-term, although “unclear.”
The key words in contrast to peace are the verbs “I listen”, “I breathe”, “I swim”, “I worry”. In addition to the words describing the activity, strong emotions are also expressed in the poem; for this, the poet used such epithets as “unexpected delight”, “insatiable anxiety”.
Thus, the analysis of Balmont’s poem made it possible to formulate the main idea embodied by the author in this work: happiness in constant movement, in tireless flight from the peace of the “present” and in unification with the ever-changing nature.
Konstantin Balmont, analysis of the poem “Wind” is proof of this, a poet with a subtle taste and high demands on the beauty of the poetic text. The musicality of his verse, the desire to express subtle shades of feelings and a deep understanding of nature make it possible to say that he is one of the most brilliant masters of the poetic word of the early twentieth century.
In the history of Russian literature, K. D. Balmont left a mark as a representative of the “older” symbolism. He greatly enriched Russian versification, introduced new intonations and sound effects. Love, direct perception of nature, the ability to sense the “moment” of life - all this allows us to say that K. D. Balmont was a romantic poet, an artist of the neo-romantic movement in the art of the 19th - early 20th centuries. The poems of K. D. Balmont are distinguished by egocentrism, enthusiasm for oneself, confidence in one’s sunshine, and uniqueness.
Balmont
This is how he wrote his poems: they could come suddenly, following a fleeting impression, a short vision; just one push of consciousness is enough - and an image is born.
In the poem “Wind” K. D. Balmont uses his favorite technique - the transfer of sensations: the word shows elusive, instant impressions. The poet, as it were, snatches a moment from eternity and captures it in a word: “a hint of a string,” “a seaside wave,” “I disturb the foliage with a kiss,” etc. Fleetingness is elevated by the poet to a philosophical principle. This ability makes K. D. Balmont similar to the Impressionists.
This poem contains the main and favorite image
The poet - the image of the Wind - a symbol of perpetual movement, insatiable anxiety (“I love restless dreams”, “in unexpected delight”, “I live in insatiable anxiety”).
The composition of the poem “Wind” consists of four quatrains, the poetic lines are rhymed with a cross rhyme, the poetic meter is iambic:
I can't live in the present
I love restless dreams
Under the scorching sunshine
And under the moist twinkle of the moon.
The symbolism of K. D. Balmont is expressed in bright tropes: “scorching shine, “wet flicker of a seaside wave,” “in unexpected delight.” They are stylistically consistent (“at a foggy dawn”, “with an evening cloud”).
The syntax of the poem “Wind” is peculiar: almost all sentences begin with the pronoun “I,” which emphasizes the self-centered orientation of Balmont’s lyrics. There is also anaphora - repetition of poetic lines: “I can’t live in the present” in the first quatrain and “I don’t want to live in the present” in the second.
The first and last lines of the poem seem to explain and summarize the theme of the story: “I cannot live in the present,” “I live in insatiable anxiety.”
The abundance of verbs in the present tense gives the monologue of the lyrical hero dynamic action, confirms the love of freedom and insatiability of the Wind. In the unstable balance of life and death, K. D. Balmont takes the side of life, movement, “insatiable anxiety,” he likes “restless dreams.”
All linguistic means of the work are subordinated to the expression of the theme and idea of the poem
– freedom, movement, frantic rhythm of life, spontaneity of feelings.
The lines of the poem are literally riddled with contrasts (“a scorching shine, “wet flicker,” “noisy trees,” “legends of a seaside wave,” “in a foggy dawn,” “with a thick evening sail”), which expresses the impatience and inconsistency of the Wind.
Thus, the poem “Wind” is an example of symbolist lyrics. TO.
D. Balmont created a unique image of the Wind and masterfully conveyed its elemental essence.
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